prohiphop - hip hop marketing and business news


ProHipHop
New Rap Albums
PR: Hip Hop ~ R&B ~ Arts/Fashion ~ Music Industry
Hip Hop Research
Hip Hop @ Netweed
prohiphop.mobi
twitter/prohiphop
subscribe: feedblitz



PROHIPHOP LINKS

About/Contact

Advertise

Archives

Guest Writers & Features

Jobs

Jango Jukebox

News/Links

Privacy Policy

ProHipHop.mobi

Search

Sub: Email/IM/Skype

Sub: RSS/Atom Feed

Sub: Twitter


Add ProHipHop
Headlines to Your
Site or Blog:
Widgetbox
ProHipHop Network

rap1.mobi

ThugLifeArmy.com
Hip-Hop News Plus Tupac Shakur Info


LIL WAYNE'S THE CARTER DOCUMENTARY DVD ON SALE NOW!

Google
 

« March 1, 2005 | Main | March 3, 2005 »

March 02, 2005

Follow the Money, Not the Macho: Part 2

Shaheem Reid, with support from Sway Calloway, digs into the background of the relationship of 50 Cent and The Game revealing a history of trouble beneath the surface. In particular, it sounds like 50 Cent felt not only disrespected by The Game for not allying himself with 50 on certain beefs, but also felt that Interscope and Dr. Dre were going nuts over The Documentary while shortchanging The Massacre.

Obviously some hurt feelings are mixed up in this, but getting only two tracks from Dre after waiting your turn would be pretty upsetting. More importantly, it's a potential hit on one's bottom line. In my earlier post on this topic, I mentioned an interviewer who asked 50 Cent about how to keep one's crew together. Since then I've been able to get the quote from Rodrigo Bascuñán, editor of Pound magazine out of Toronto, who recently asked 50 Cent the following question:
"There have been so many crews in hip-hop that have come up strong but fallen apart. How do you plan to keep G-Unit together?"

50 Cent replied:
"Well, by making sure everybody finances is straight. ’Cause that usually stems to the actual disagreements, the break-ups. So I’d make sure everybody gets the money that they supposed to get. And I’d just offer them good advice. Outside the actual music, there’s a whole world out there you could do business in."

Though having one's record undermined, or feeling that way, isn't about bad finances, it's clearly about getting what one needs to put out an album that's a financial success. Note that in the MTV article mentioned above, 50's quoted as saying during the Hot 97 interview Monday night, not that he's going to blast anyone, but that:
"I love Dre, but if he's confused with what direction he wants to go in after this, my next album will have the same 20 cuts this album has on it, but it will be sold as a double CD. It will fulfill my requirements with Interscope Records. It will be the end of my Shady/Aftermath [deal] and I will move forward in my career as a Shady/G-Unit artist."

Again, it comes down to the bottom line and control of one's career for 50, who hasn't been threatening anyone physically. For example, 50 recently stated in an interview for AllHipHop.com:
"I think Jay-Z is a hustler, and I’m a hustler. I think the difference is, Jay-Z is okay with hustling around other people while they getting money, as long as he is getting the most money. The difference is the way I came up, is that we hustle until we get enough finances and man power and start moving n***as off the strip. I replace them with new talent, [like] Game."

Basically 50 Cent's talking about taking business practices from the drug trade which involves eliminating the competition. When viewed from the perspective of my earlier post or such comments from 50 about his competitors as, "I think they've mistaken me . . . I got the time and energy to ruin what's left of their careers," it sounds like he's made a transition from street violence to the kind of perspective taken by tech CEOs such as Bill Gates who regularly speak with their associates of killing or destroying the competition.

But there's at least one big problem with thinking that 50 Cent will be satisfied with financial revenge in addition to the recent shooting or comments from his opponents that imply physical retaliation. In the February issue of XXL that features 50 with a crossbow on the cover, he made a statement which I have to recall from memory. The basic idea was that, because of the police surveillance of rappers, 50 would not be handling certain violent tasks in-house but would have people disconnected from himself to take care of such business if needed.

I wish I had the article to quote directly, but I found it disturbing for obvious reasons and also surprising that he would make such public statements. It means that random hits against his enemies will now be assumed to be based on his orders and investigators will be looking to make those connections, even if he isn't actually outsourcing attacks. But it also means that he can take a certain approach in public while knowing that he has other means with which to handle a situation.

Unfortunately, none of this sounds like it's heading anywhere positive. As XXL editor-in-chief Elliott Wilson stated:
"It helps him obviously in terms of exposure. You can't ask for better promotion . . . [but] I think he's making more and more enemies. You definitely feel like is he doing too much of a Tupac spiral, like me against the world. You bring more people wanting to see you fail."

And who can intervene in this situation? The last attempt was Minister Farrakhan's public meeting with Ja Rule that Ja admitted in the November '04 issue of The Source was for "publicity" for his then upcoming album, just as 50 Cent had stated at the time. Given such earlier fraudulent attempts at ending beefs, why should 50 seek peace at this time with so much macho circulating and so much money at stake? And, since 50 Cent kicked The Game out of G-Unit without advance notice and has made it clear that he intends to take people's money, how could he expect anything other than retaliation?

See also: Part 1

Music Industry: MusicDish E-Journal

These are articles from the last couple of months at MusicDish E-Journal that remain quite relevant.

The Year End A&R Rewind summarizes A&R job changes for 2004.

Jaci Rae discusses the sexual commodification of young girls in the entertainment industry. Her sobering advice to stage parents that want their under 18 girls who are performing locally as amateurs to go professional:
“No matter how strong your daughter or your dream is, wait until she is 18 to try for stardom. She is already doing what she most wants, and that is to be on stage. Once she is 18 and you are ready for her to sell sex to other teenagers and older men in their 20s - 60's, she will be better equipped to handle the response, as you will be also.”

Chris Standring of A&R Online offers advice on how to Help The Music Industry Take You Seriously.

Thom King of Multimediary Entertainment Marketing provides insights on How To Get Big Sponsorship Money for your band, tour, event or production.

Way back in '04, a National Association of Record Industry Professionals' panel on The Incredible Shrinking Profit Margin offered a "look into how the major labels are providing fewer services while attempting to grab a piece of artists' publishing, merchandising, touring, and more."

Just So You Know

Because I don't have a picture and no identifying information on this blog, sometimes people think I'm black. But, if you met me or saw me dance, you might be really surprised to see how white I am. So far the confusion hasn't been a problem for people who find out and I certainly don't have issues with people thinking I'm black. But seeing my blog linked to at the Black Bloggers Association made me realize that I need to let people know what's up, so they don't think I'm fronting.

I get the impression that some of the things I say just don't fit people's images of how white people think and I'm glad to be a counter example to such perspectives, which come from both black and white people. If doing what I do in some small way shows that we don't have to be stuck in compartments that we inherited through some really bad history, then that alone is a great thing.

Now, I noticed that Margaret Cho's blog is also included at the Black Bloggers Association, so I'm hoping there might be room for me over there if the folks in charge still find me relevant, but I won't be offended if I'm removed. And I'm not looking for a pass of any sort. I've earned my understanding of the world through a lot of hard work over many years. Which reminds me, I'm old. Really old. I'm a 45 year old white man with two hip hop blogs and, though I do hope to get paid someday, I'm sure not doing it for the spare change I've earned to date.

If you have any comments or concerns, please write me at:
prohiphop(at)netweed(dot)com

Hacking Excitement Continues at The Game's Forum

After my earlier post on The Game's official website forum getting hacked, somebody got busy while I was taking a nap.  I'm not going to be recording a blow-by-blow of this ongoing event but, basically, it looks like MarsAttacks has control at the moment using what is described as a recently revealed php hack.

I'm a little unsure of what's up with all this because it's looking more to me like an online party for bragging rights that, in various ways, makes fun of everybody involved while capitalizing on a security flaw that's either new or just unsecured due to negligence.  In any case, MA has new pictures up, an option to post comments and additional comments that might have been received in the mail.

This is quite a while for something like this to be up on a corporate website.  At a certain point, it would have to be considered a hoax if not taken down, unless this section of the website just goes unmonitored on a regular basis.  Of course, with all the madness happening at the moment, it could be one of those right time, right place moments for MarsAttacks.  I'll guess we'll know soon enough but this should be a reminder that a business can be easily embarassed if it's online presence is not monitored and security is not maintained, whether or not the particular business in question is actually being attacked.

Update: While I was writing this, the forum appears to have been retrieved by a webmaster who's probably not having a very good day.  The changes I described above are still available at pen15h34d.com and, no, I didn't take any screenshots so don't even ask if that goes down as well.


Please Submit All Publicity Materials to: hiphoppress(at) netweed(dot)com

Additional Guidelines


RINGTONES

Newsfeeds:
ProHipHop: Business
Hip Hop Press
Business Matters Mix
Sneakers & Fashion
Urban Gossip/Rumors
Hip Hop Blogs:
World Cypher