ProHipHop

50 Cent, Fat Joe, Jay-Z, P. Diddy, Damon Dash, TI

50 Cent continues his dominance of the singles charts while Fat Joe prepares for a busy season with a new album out next month plus many related projects.

The video game version of Scarface may include music by Jay-Z though it’s unclear whether or not Al Pacino will come on board.

P. Diddy discusses his relationship with Biggie Smalls. Also, at last night’s mixtape awards, P. Diddy officially announced the sale of half of Bad Boy Entertainment to Warner Music Group

Damon Dash is on a publicity tour for Beanie Sigel’s new album to be followed by another round for ODB. With Sigel in prison and ODB long gone, Dash has to carry a lot of weight for the artists whose albums are the first releases from the Damon Dash Music Group.

TI talks about career planning in prison and hustling as a struggle for survival.

The Massacre Sells 1.1 Million Copies (Updated)

50 Cent’s sophomore album The Massacre sold 1.1 million copies, despite a release date that limited its first week to 5 days, becoming the second highest debut in history. However, The Game’s The Documentary moved down a slot to no. 5.

Update: The report actually said “hip-hop” history. More recent reports clarify that it’s the 6th largest selling album in its first week in history and that it was only out for 4 days, although I’m sure there were some extra days depending on when it got into shops that would be selling it as soon as they got it.

Chronic Magazine: Executives and Entrepreneurs

Chronic Magazine has been running a series of interviews called Hip-Hop Heads: Executives and Entrepreneurs in Hip-Hop. I only just discovered it and here are the interviews I could find online, given that there doesn’t seem to be a master list.

Jackie O. Asare – Publicist and founder of 4Sight Media Relations.

Bryan Leach – Vice President of Urban A&R for TVT Records.

Bryan Leach – Part 2.

Anslem Samuel – Editor-In-Chief for The Ave.

Anslem Samuel – Part 2.

Felisha Booker – Founder of Dynamic Producer.

Tony Kelly – Producer for dancehall stars like Sean Paul, Wayne Wonder, Supercat, Beanie Man and Shaggy.

Plus some related interviews not designated as part of the series:

Kevin Black – National Urban Field Director at Interscope Records.

Kevin Black – Part 2.

Landlord Problems for Hot 97

Hot 97′s landlord, New York’s carpenters’ union, is placing serious restrictions on hip hop artists who visit the station, including limiting their guests to one additional person, having advanced notice of who’s going to be coming in so appropriate security measures can be taken and possibly barring certain guests entirely. This action comes after numerous incidents beyond those that have generated national publicity.

The landlord’s lawyer also added to public claims that Hot 97 uses controversy to increase ratings saying:
“They are fomenting this type of confrontation to get ratings at the expense of our tenants and the safety of our people in that building.”

Publicists: Lizzie Grubman Meet Phyllis Pollack

Tonight’s premier of PoweR Girls will feature publicist Lizzie Grubman and staff and some brief glimpses of celebrities including a hip hop star or two. As previously noted, Grubman’s known for backing an SUV into some folks which led to this mugshot. Apparently she’s now being sued for allegedly stiffing the woman who ran things while she was in jail which led to promises of partnership and involvement with the show that was to become PoweR Girls.

Prepress for tonight’s premier is uniformly negative with a high level of disgust as evidenced by the headlines:
Lizzie and the Losers
MTV’s ‘PoweR Girls’ Aren’t Super or Heroes
‘PoweR Girls’ delivers bad PR

As fascinating as I find such horror, I’m writing about Grubman because she claims to be responsible for hip hop’s crossover into the mainstream. Besides being a silly remark, it ignores the accomplishments of so many publicists with a deep commitment to hip hop, including Phyllis Pollack, the publicist for acts like NWA, a little band out of Southern California who hit #1 on the Billboard Album charts back in the day. Pollack’s writing appears in such diverse venues as NWA album liner notes and CounterPunch.

Though Pollack declined to comment on Grubman’s obviously absurd claims, she did send me a statement about her views on the role of a publicist that she originally sent to a young person who wanted to find out more about what Phyllis does, stating:
“I’m often told that I should look into becoming a publicist because through my articles, I always find the perfect way to make an artist look good.”

Phyllis replied:
“Being a good publicist is really not just “making your artist look good,” but to be HONEST when doing so. I do not believe in hype or hyperbole. I think it is always best to always be real with people, and be honest. The most important thing on a press release or an article is not just the artist’s name, but yours, as the publicist or writer. Your integrity always has to come first. You have to believe in the artist, but you always have to also believe in yourself.”

Actually, she said a lot more than that but I’m saving the rest for possible use when I interview Phyllis for a new feature series, Talking Hip Hop Business. She’ll be one of the first to be featured with insights into the work of a hip hop publicist. I doubt Lizzie Grubman will make the cut but I look forward to interviewing Phyllis Pollack.