ProHipHop

Hip Hop’s Influence: Jersey Poppin’ and b*tch Talkin’

The NY Times has two interesting articles today that relate to hip hop’s cultural influence, for better or worse. One article attributes the NCAA trend of “popping the jersey”, in part, to hip hop style and that makes perfect sense. Like the Feenom Circle’s Rawj says:
“aint gonna say that everybody knows who I is, but when you see me collar-poppin doin the electric slide you’ll be like ‘this brotha gets down for his.’”

I was really surprised that a NY Times writer is just catching on to the fact that the term “b*tch” can include men. Although Virginia Heffernan is focusing on tv, she seems to have missed the extensive use of b*tch among male hip hop artists, comedians and their fans when dissing other men. Given that rap musicians have a distinctive ability to mainstream prison culture, one would think that the connections would be fairly obvious. Even more so given that hip hop is full of the kind of macho males who diss “faggots” but think it’s ok to get head or f*ck a guy as long as they beat him down first. You know, with all the talk about reforming hip hop, I doubt any prominent cultural critic is ready to take that one on.

By the way, Carolina’s gonna kick everybody’s punk ass. And maybe some day the NY Times will figure out the related meanings of punk that have nothing to do with music, little to do with Ashton Kutcher (though the lineage is there) and everything to do with men raping men.

50 Cent, Lil’ Kim, Busta Rhymes, Raekwon, Black Eyed Peas, Fugees, N.E.R.D., Trillville, Nicole Wray

You probably already heard, but 50 Cent is still dominating the singles charts.

In preparation for doing time, Lil’ Kim is booking studio hours and promoting her merchandise.

Busta Rhymes is working on an album, executive producing a Raekwon album and scheduled to appear on the next Dr. Dre album. What, he’s not acting or writing a novel?

Apparently the Black Eyed Peas have had to change a song title from Don’t f*ck With My Heart to Don’t Funk With My Heart, however, since most news outlets won’t publish the word f*ck, they’re reporting it with asterisks and the like. Too bad for the Black Eyes Peas who had a strong title and now they have a weak knockoff of other song titles.

Lauryn Hill and Wyclef Jean performed together again at a tsunami relief benefit but it’s not a Fugees reunion without Pras.

Record label disputes have lead to the breakup of N.E.R.D.. Damn, talk about bad press for Virgin Records. Though N.E.R.D. wasn’t really a hip hop group, the invovlement of the Neptunes made it hip hop news. Interestingly, Pharrell Williams suggests that further N.E.R.D. tracks may be released:
“Perhaps we’ll do some music for our fans and leak it on the Internet or something. . . Who knows?”

Trillville discusses business, from the early days to the upcoming album, Trillville Reloaded.

Nicole Wray talks about burning out and coming back.

ProHipHop: From News Aggregator to Blogger

I seem to be moving more into traditional blogging territory, inasmuch as there is a tradition on which to draw. When I first started this thing, way back in November, I was really obsessed with keeping up with all the hip hop business news I could find. My longer posts were often editorial with an emphasis on social issues in business and a sometimes rantey flavor. But I’m tired of ranting. I’d prefer to say meaningful things while retaining a highly critical stance. And I’m not a news aggregating machine, so I’ll stop acting like one.

I still want to keep up with as much news as possible but the restraints on my time are getting ready to become incredibly intense, for reasons beyond ProHipHop. So I’m going to try to consciously do more posts like those of the last couple of days and take up the aggregation slack with periodic Quick Takes and topical news briefs, plus a sharper focus on hip hop business news. This may mean I lose some of my popular readership, though I don’t want that to happen. Nevertheless, my mission here is to be useful to the hip hop business community and those who seek to understand or connect with that community.

If that’s your kind of thing, feel free to send me feedback, press releases, business proposals and whatever else seems to fit a trade blog focused on hip hop business news across industry categories.

Press releases and informational mail:
prohiphop(at)netweed(dot)com

Personal correspondence and serious bidness:
clyde(at)prohiphop(dot)com

Niche Markets, Product Placement, SOHH Blogs

Hashim Warren followed up on my niche markets and the music industry post with some hip hop specific observations. I think a lot more could be said about niche markets and rap music, especially in the case of mixtapes, a focus for networking and street buzz creation on local and regional levels that preceded the rise of the Internet.

Hashim also posts about a new blog focused on product placement in hip hop videos called Strictly Business by someone known as Urbonics Media who currently profiles as a male in marketing based in Hyattsville, MD. Perhaps the lack of further identifying information is similar to the case of PROMOCOPY, who doesn’t reveal his or her identity because s/he works in the industry s/he’s covering. But Urbonics Media is a great name and it wouldn’t surprise me in the least to see the author open an independent shop using that name at some future date. If it was me and I had the cash, I’d service mark that sucker right away.

Wild speculation aside, in an initial post, Strictly Business is described as the “first blog dedicated to analyzing product placement in the world of hip hop videos” and that’s not hard to believe, given the specificity of the topic. SB name checks (without linking, shame on you!) Agenda Inc’s American Brandstand, a project that has tracked product placement in the lyrics of the Billboard Top 20 singles chart for 2003 and 2004. I’ll be checking out Agenda Inc.’s work quite a bit more in the near future. Although they aren’t tracking hip hop singles per se, hip hop’s dominance of the singles charts, plus the fact that hip hop artists and management are the kingly sluts of product placement, makes hip hop singles the de facto focus of their study.

Urbonics Media states that Strictly Business will fill a “diagnostic void by documenting and charting brand positioning in hip hop videos, in addition to providing comprehensive commentary and forecasts.” I look forward to future posts at this very new blog. I see from Hashim’s coverage that Urbonics Media is also Lazarus of Street Dreams whose social commentary is less than stellar, but that will not necessarily undermine his work at Strictly Business. I also see that Hashim is interpreting Strictly Business’ lists of products identified in videos as a claim that these are paid placements. Based on the evidence provided, these products simply appear in the video. It would be nice to see the actual deals tracked or insider information shared, but I imagine that would be quite a feat, since I doubt they’re being trumpeted as deals.

While we’re on the topic of Hashim it seems like a good time to discuss SOHH Blogs. I may have been the first to write about their existence during a stealth launch phase that I was simply lucky to discover, I mean, that my awesome search and discovery skills led me to uncover. In any case, I thought they’d officially go public by now but there are still no links from the SOHH homepage and no official announcements that I’ve seen. Testing time is over, y’all. It’s time to go public and reap the pr benefits before someone else beats you to the punch.

I’d ask Hashim about this but he was initially under some kind of media blackout about the project. If I hadn’t recognized his byline, I wouldn’t have much to go on at all, because the supposedly multiple writers aren’t identified in any official way and there are no email addresses posted that I can find. However, you can hover over the writers’ names when they make comments and figure out more about who they are, for example, hovering over Hashim gives you his main blog Hip Hop Blogs.

One of the main things that makes blogging a powerful social phenomenon is the emphasis on conversational networking. Bloggers talk about each other, they link to each other and they build each other through those conversations. By remaining in weak ass stealth mode, not posting any information and not linking to other blogs, SOHH basically forfeits that strength. This would lead me into a, possibly unfair, stupidity or incompetence rant but you can probably imagine where that would go.

But check this out, soon after the stealth launch, Hashim was apparently the first hip hop blogger on tv! Anybody with any sense would have taken that as the moment to officially go live and get multiple angles out of a story that includes the first group of hip hop bloggers at a major hip hop website and the first hip hop blogger on television. Not only is that hip hop news but it’s also blogging news at a time when major media is eating this stuff up. That incredible blunder on the part of SOHH management earns them the current ProHipHop WTF?!? award. Get it together, guys. Your moment is passing and your writers deserve better.

Worst case prediction: SOHH Blogs fail to meet management’s expectation and are cancelled due to lack of management support. For a supposedly “net-savvy” crew covered by Wired way back in 1997, SOHH seems to be handling this one like a major label who doesn’t know how to promote their new roster of recently independent artists.

Update: Please check out my followup on SOHH Blogs based on an interview with SOHH cofounder Felicia Palmer regarding their stealth approach to blogging. It actually makes much more sense than I ever would have imagined and I’m somewhat amazed she talked to me given the above comments.