One of the interesting things about moving to North Carolina after a year or so in San Francisco is getting over the feeling that I've moved out into the country. Actually, I really felt that way for a week or so before I got over it. But Raleigh, where I am now, and the Triangle, Raleigh/Durham/Chapel Hill, are quite cosmopolitan in their own way without having to constantly remind you of the fact.
Of course, college basketball fans know all about this place, because the major colleges here, NC State, UNC and Duke, tend to kick national ass on a regular basis and all three have been NCAA champions more than once. In fact, as long as you leave pro sports out of the picture, North Carolina looks pretty good.
I mention the above because I heard some interesting tales from a former Charlie Goodnight's Comdey Club employee during breaks in NC State's victory over somebody or other (actually I didn't expect them to win but it was fun being in a crowded bar full of State fans when they pulled it off!). Charlie Goodnight's was singled out last year by USA Today as one of the top 10 comedy clubs in the U.S. Though I tend to mistrust such lists, it is true that they get well known acts, including at least one visit each by Chris Rock and Dave Chappelle.
My acquaintance was the one who got to drive Chris Rock to the club. She's a young white female and said that the Chris Rock experience in person is quite racially charged. In fact, when a black man tried to carry his luggage, he stopped him and demanded that a white person be found because he will only be served by white people. On the way to the club, he talked on his cell phone the whole time, often referring to the "white b*tch" who was driving him around. He did this multiple times. At the club, he was described as someone who everyone hated by the time he was gone.
Now, I can see the sick humor in this situation, especially for people obsessed with payback regarding whole races of humans, but I was immensely disappointed to hear that Chris Rock, one of my favorite comedians and an important commentator on racial realities, is basically an a-hole. Now, he may well treat other white people (especially those with money and power or big breasts) as fellow humans, but he certainly doesn't feel that way about the white working class. In fact, if you've never dealt with famous people as an underling in passing, there's a very strong chance you don't know much about who they really are.
However, I was quite pleased to hear that people working at Charlie Goodnight's totally dug Dave Chappelle. They said he was a really fine man and a pleasure to work with. I think that says a lot about him when the workers give him props. Cause, believe me, people who work in such settings get over being starstruck pretty quickly.
Update: I received a follow-up email from my contact after reading the above post. She describes her portrayal as "harsh" but "accurate." She says that she accepts such languag in performance but feels that terms like "b*tch" should be "reserved for the stage." She also says that this was not the first time she had "heard about him replacing a black person with a white one to carry his things" but that she hopes he tips well!
I know some folks haven't wanted to believe this because they're such big Chris Rock Fans. I'll have to say it's going to make it tougher for me to take in his act, which is sad because I really do dig his work. It's also a reminder that there are some really nasty people who make great art and hide their nastiness well. Often we don't find out till they're dead or their career has taken a dive and folks are ready to come forth. In any case, believe it or not as you wish, but it would be an interesting topic for an investigative reporter to pursue.
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