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September 23, 2008

Hit Talk: New Production Site Features Hit Reports

ModernBeats' announced the launch of Hit Talk, a "music production website devoted to answering the question 'How do you produce a hit song?"

In addition to features and production tips, Hit Talk is experimenting with a paid feature, Production Hit Reports. Priced at $14.95, a Hit Report is a "downloadable report revealing a Billboard hit's music production techniques including mixing, frequency spectrum, song format, song arrangement, music composition, music theory" containing "Production Maps, Illustrations, and Articles" covering:

Mix and Melody Production
Drum and Bass Production
Hook and Vocal Production

Plus: Bonus VIP samples.

Sounds like a great product idea.

July 29, 2008

Omar Wasow Discusses BlackPlanet.com & TheRoot.com

Great interview with Omar Wasow, who cofounded BlackPlanet.com and is now Product Strategist for the TheRoot.com, over at Black Web 2.0.

Some high points:

BlackPlanet.com

When starting BlackPlanet.com in 1999, they didn't focus on how many African Americans were online but on how many were coming online and they were able to catch and build with that wave.

"We had a really compelling product."  Free vs. AOL's paid portal with discussion boards and other community tools.

Word of mouth was huge.  Sent out 500 emails and it grew from there.

The early days of web advertising, the community aspect and the African American orientation all worked against them in getting advertising as did the fact that they weren't aligned with larger entities that would help credibility but they were able to produce results and over time proved themselves to advertisers.

TheRoot.com

More of an advisor/consultant as the Product Strategist for TheRoot.com at the request of his academic advisor from Harvard, Henry Louis Gates, who is a cofounder of TheRoot.com.

Talks a bit about building a community site (BlackPlanet.com) vs. building a content site (TheRoot.com) and emphasizes the need for content driven sites to build community.

Harvard's Dept of African and African American Studies

Mr. Wasow left BlackPlanet.com, in part, to pursue a doctorate in African American studies at Harvard.  This guy's got the whole package above and beyond what's necessary for mere success.  Lots more to check out in the interview at Black Web 2.0.

At LinkedIn:
Omar Wasow

July 17, 2008

Kanye West Makes Marcus Troy Famous[er]

Kanye West makes Marcus Troy famous, sort of.  Funny stuff.

Nice work, Kanye.

In related news, Sandra Rose amplifies my critique of Kanye's approach to jacking content.

Thanks, Sandra!

Related ProHipHop Coverage:
Kanye West Ghost Blogger Controversy Timeline

July 13, 2008

SimplyNoise: When White Noise is Needed

SimplyNoise may well be the "best free white noise generator on the Internet."  Plus, they've added Pink Noise and audio downloads!

Via Josh Lowensohn at Webware.

June 17, 2008

Interview: AllHipHop's Chuck Creekmur & Greg Watkins

Black Web 2.0 interviews the founders of AllHipHop, Chuck Creekmur and Greg Watkins, including discussion of their ad sales deal with Radio One's Interactive One.

On a related note, I've added Black Web 2.0 to the Hip Hop Business Matters newsfeed and search engine.

Official Site:
AllHipHop

June 16, 2008

Concrete Loop & Hypebeast in TIME's 50 Best Websites

Concrete Loop makes TIME's 50 Best Websites!

Bossip and Nah Right get shoutouts in Concrete Loop's entry.

Hypebeast also made the Top 50.

Congratulations everybody!

Here's the full list.

Note that it's websites, not just blogs, though these are all blogs.

April 21, 2008

ThisIzGame.com: The Game's Website in Progress

Looks like The Game has a website in progress at thisizgame.com which seems like a lame choice in the wake of ThisIs50.com.

Via Real Talk NY.

April 10, 2008

RushmoreDrive Launches: Search, News & Jobs Portal for Black Community

Check it out:
RushmoreDrive

Press Release:
First-of-its-kind Search Engine to Deliver more Relevant Search
Results to the Black Community launches April 10

Launch Party:
Rushmore Drive Launches

Related ProHipHop Coverage:
RushmoreDrive: A Success Prior to CEO Johhny Taylor's
Steve Harvey Appearance?

Johnny C. Taylor, Jr. New CEO of IAC's Far Distant Black Portal/Network

March 11, 2008

Compete: Rawkus Growing, Vibe Maintaining, XXL NSFW?

According to Compete, the Rawkus Network has really grown, Vibe.com is still strong and XXL was part of the pack when suddenly an explosion of interest occurs!

Check the keywords via the Compete link: NSFW!

Sorry, my bad.

Official Sites:
Rawkus
VIBE
XXL

February 24, 2008

Rhymehouse Launches: Indie Hip Hop, Nice Design

Rhymehouse is a recently launched website with a focus on independent hip hop.

I'm mentioning the site here because I really like the simple yet lively design.  That's hard to do and I think they've done a good job with it.

Over at Hip Hop Press:
New Website Dedicated to Independent Hip Hop -- Rhymehouse.com Launches!

February 22, 2008

MusicWerks: Another Great Beginning Ruined

I actually have a lot of positive things to write about but wasn't coming back till later.  However I was very interested in the news about MusicWerks:

"Music industry veteran Edward "Eddie F" Ferrell has joined forces with fellow music mogul Andre Harrell to launch MusicWerks.com, a new online music group.  The site will be available as a vehicle to align artists, song writers, producers, bands and independent labels with resources and interactive services needed to achieve success in the music business."

But when I went to the MusicWerks Label Group site they wouldn't let me look at the stupid site without making me register though you can fake the registration and take a look for yourself.

Requiring registration to view a site is really, really dumb.

And if you don't know why,
then your site deserves to die.

Back on the positive with some news about sites that are doing smart things after a much needed nap.  Or maybe tomorrow.  We'll see.

February 11, 2008

Ludacris & Matt Apfel Launch WeMix [Beta]

About WeMix.com: Starring Ludacris

I'm not exactly sure what WeMix will ultimately be but the Manifesto says it's the "People's Record Label" and it seems to be a collaborative music making social network not intended to be limited to hip hop. 

[Update: just saw the above video and it's much clearer on the overall vision than the Manifesto.]

Plus there's a video component called Wemix TV.  And a tv show of some sort.

On a rather disappointing note, the entries for Luda's Blog are signed:
Luda
Matt
WeMix Founders

But it's obviously a company blog, possibly written by cofounder Matt Apfel but certainly not by Ludacris, and so it's just plain silly [technically a lie] to link to it as Luda's Blog.

Best of luck anyway to the latest entry in the Hip Hop Celebrity Webosphere.

Via Blogs Is Watching who caught Luda's WeMix shout out on a news video!

MySpace: WeMix.com

February 08, 2008

Does AllHipHop.com's Template Approach = Doom?

Inc.com recently profiled AllHipHop.com's disastrous attempt to expand a successful barbecue into a group of high profile events that almost destroyed their company.

I at first thought it was kind of brave and a step forward for hip hop business that AllHipHop.com founders Chuck Creekmur and Greg Watkins would reveal what was a far bigger disaster than anyone outside the company's core network seems to have realized.  Unfortunately it's unclear whether or not it was a learning experience that taught them anything other than the template approach to leveraging a successful website.

The first big mistake revealed in this article was the choice to go from a small casual event, a hip hop community barbecue, to a whole series of high profile events that required them to turn over operations to outsiders:

"Watkins and Creekmur had outsourced much of the work to an event planner, a concert promoter, and caterers, giving them few budget parameters. The fashion show alone cost $25,000. The company had to pay to remodel the club, build a runway, buy insurance, hire models, and order invitations."

That should read as a pretty clear recipe for disaster without even getting into what happens when an artist who performs for free hits the afterparty and starts ordering drinks on the sponsors tab.

The lessons learned seemed to be along the lines of putting basic business systems in place and making clearer binding agreements with service providers.

The lessons they couldn't learn were the ones that would have come from doing one piece of the puzzle at a time with direct hands-on involvement. 

If they were both closely involved with organizing the fashion show, for example, they would not only be learning about putting accountability structures in place but would have learned the details of putting on a show.

Maybe they picked some of that up as well, since they were doing some low-key events beyond the barbecue, but it sounds like they will remain vulnerable to people who function professionally in a way that is basically satisfying but does not outperform.  If you don't have someone trustworthy on your team who knows when a service provider is talking bs, you will be provided with a certain amount of bs even in the best of circumstances.

"Then there was the biggest line item of all--the $90,000 grand finale concert at the Hammerstein Ballroom. The event wasn't well publicized, and only a few hundred tickets had been sold. Watkins wanted to cut their losses and cancel it. "It's not worth it," he told his friend. But Creekmur was determined to press ahead with the original plan. Canceling the concert would have been a major embarrassment, undermining their goal of building the brand's visibility. "Let's put on the best event possible and think about money later," Creekmur argued."

That attitude is truly frightening but actually understandable given that these were two guys who loved hip hop and found themselves with a successful web business on their hands.

But it's also a reminder that it's better to accept one's short-term embarrassment while cutting one's losses than to put up a good front and risk the very real chance of being taken out of the game. 

Though they insist after all is said and done that these events have successfully raised their profile, one has to wonder among what group of people?  AllHipHop is the one web brand writers can drop that truly catches attention at all levels from Internet thug to rap star and that has little to do with events.

So who the heck were they trying to reach?  That's not indicated in the article and it sounds rather squishy without some more specific goal than raising visibility.

But it appears that this disaster pushed them to go back and re-evaluate their web business and put fairly standard procedures in place and that's all to the good.

What raises questions about their future is their decision to begin talks with venture capitalists in '07. 

An influx of capital from vc's, as opposed to normal investors, comes with an expectation of outsized returns that would almost ensure that they will ultimately become managers of professionals doing jobs that they themselves don't fully understand.

That can work but if it doesn't then they won't be facing service providers who will work with them to dig back out.  They'll be facing people who will cut and run as soon as things go bad though possibly after demoting Creekmur and Watkins and ensuring the company's death.  That's way more humiliating than canceling a concert.

Three experts weigh in at the end of the article with mixed results.

Lawrence Gelburd, a lecturer at The Wharton School, suggests that they extend their brand via partnerships and merchandising and so forth, i.e., follow another template to the obvious.

Steven Rogers, a professor at the Kellogg School of Management, suggests that they continue on their path of strengthening their business systems and learning more about business.  That's good enough advice and, given their post-disaster actions, seems to be what they're already doing.

Tim Westergren, founder of Pandora Media, says that staging events to boost your website is a mistake and that maybe they should focus on what they do best, their web game.

Both Rogers and Westergren advise the AllHipHop lads to focus on building their strengths and that's great advice unless your current strengths are keeping you from realizing much bigger goals.

But should they give up events when they're in what is still the biggest media center in the world?

Events are actually doing very well for publishers who use them to make money rather than to market their websites.  If we remove the marketing AllHipHop angle and replace it with events as a marketing platform for others, they would be able to leverage and monetize their quite strong brand and their New York location while simultaneously building that brand through successful events.

There's actually a lot they could do if they give up the template approach which they've embraced and to which they seem committed going forward.

I use "template approach" to indicate that they're making the same mistakes going into new territory as their web imitators have made with copying AllHipHop.

AllHipHop helped create the template that most hip hop news sites and even most magazine sites now follow.  You've got your features, your interviews, your video, your this, your that, almost all of which follows the most obvious checklist of possibilities that ensures that most such sites will have limited success though it does help newbies navigate your site upon first encounter.

AllHipHop entered the events scene with a unique event, a hip hop community barbecue, and then ramped it up by following the most obvious checklist of events possible:
art show, artists showcase, fashion show, roundtable discussion, concert

Does anything on that list surprise you in the least?

Does anything about the lessons AllHipHop learned suggest that they will deviate from the obvious in the future given that putting normal business systems into place at a successful web operation has led to seemingly inevitable meetings with venture capitalists?

That's not to say that leveraging the obvious is a mistake.  But which part of that company is the obvious part to leverage?

For my part, the rather slow attempt to expand on illseed's Rumors column suggests that their grasp of the obvious is leading them in the wrong direction, a process that venture capital would only intensify.

I was told in '07 by a source who will remain unnamed that the Rumors column was their biggest hit after the forums.  If you check out who's giving MSM entertainment publishers trying to succeed online the most grief, you'll find that it's the gossip blogs.

Do I really need to go on with the obvious details?

Like the experts said, build on your strengths.  If they knew the company and the landscape in which AllHipHop operates a bit better, they'd recognize that a smart build-out of that section could have outsize returns.  AllHipHop's illseed shows signs of that understanding but the commitment to that option is weak because the two founders are busy seeking investors while one of them is most likely writing the illseed column (according to folks who might know but AllHipHop's kept a tight lid on that one).

[illseed may prove me wrong and I would have no complaints with that.]

Will following a template kill AllHipHop in the end?

Probably not on its own.  They helped create the web template for such sites and their brand is strong enough and the business systems are supposedly being put in place in a manner that should allow them to leverage the offline events template and do quite well.

But given that they clearly want much more than they have, however much that might be since the financial figures revealed are designed to show them doing quite well without actually revealing how well they're actually doing, their hunger for growth may well outstrip their knowledge of what fuels that growth and limit them to being successful in a milieu that does not reward simple success.

The New York hip hop "community" and venture capitalists are equally unforgiving and are much happier with seeing death than with low-key success.  Death satisfies the inherent aesthetic of New York's dominant forms of hip hop.  Quick death allows vc's to move on so they can get to that oversize return that few businesses will ever reach since low-key success does not make them rich.

On that gloomy note, ProHipHop wishes Greg Watkins and Chuck Creekmur the best of luck in their future endeavors.

Please send responses to clyde(at)prohiphop(dot)com for possible inclusion in a follow-up post.

Related ProHipHop Coverage:
AllHipHop's illseed Seeks Sidekick, May Launch Rumor Site
SOHH Rides 2 Girls 1 Cup to #1 Hip Hop Site Status

February 05, 2008

HHNLive.com Up for Sale

Dr. Drew sends word that HHNLive.com is up for sale.

Hard to say what this means at a distance since selling a business is how one cashes out and is also an appropriate end-game when you've taken it as far as you're going to take it but, like the good doctor told me, this is a tough game.

By the way, did you know that the Fed's stats on business closures include businesses that remain open but change ownership?

That one surprised the heck out of me too.

January 13, 2008

SOHH Rides 2 Girls 1 Cup to #1 Hip Hop Site Status

Seeded by Hashim Warren's observation that SOHH had recently surpassed AllHipHop's status as the top hip hop website based on Compete.com analytics, Rafi Kam makes the case that SOHH's success is based on searches for 2 Girls 1 Cup.

All sorts of interesting closing lines keep popping into my head but let's just leave this one at that.

Limits on Compete Data:
Not to put a damper on things since I like using Compete for this kind of thing as well but I should point out that Compete typically presents my netweed site as having as much as twice the traffic of ProHipHop when the opposite is actually true based on my internal site data from Google Analytics.

Update:
I finally figured out why Compete makes netweed look bigger than ProHipHop.  It's quite reasonable but the info is for ProHipHop insiders only.  However that does take away my original objection and supports Rafi's analysis.

January 10, 2008

AllHipHop's illseed Seeks Sidekick, May Launch Rumor Site

It feels kind of strange taking news about a rumor column writer from their own column but these are strange times.

AllHipHop's illseed, king of the rumor factory, is seeking a cohort in rumor crimes:
If you remember back a ways back I had the homey Freeze Fiyah helping me out with the rumors. Freezy was cool, but he has moved on. With that said, thing I want somebody to offer a fresh voice here in the rumors like back then. I mean, if you are nice with your rumors, can write better than me, holla at me and put "Rumors Sidekick" in the subject. I am not leaning to men or women, but I think a female could balance out my mania.

If you've got rumor game, depending on how the money works, this could be an incredible opportunity: ahhrumors@gmail.com

He also mentioned in a section joking about leaving AllHipHop that he might just start his own site anyway.

I mention that because it's a really smart idea whether he's serious or not.  The last time I knew anybody with insider info that was sharing* I was told that AllHipHop's Rumors column was the biggest focus of traffic after the Community.  Launching as a separate site makes a lot of sense.

Now, if AllHipHop takes what is now a rumor column and builds it out to a full rumor department, rather than launching a separate site, and it does what I think it can do, then AllHipHop is about to twist the knife and maybe help put some more magazine editors out of work.

*[it's been awhile for me to have a contact with allhiphop insider info.  but think what I could do if I had more than the occasional inside tip.  i've done some nice things just poking around on the web and following up whatever comes along, you know?]

November 26, 2007

SiTV: Interview w/Joe Conzo, Chingo Bling's Marketing

Hey, I think I might get a t-shirt for mentioning this interview with Joe Conzo by Ivan Sanchez regarding hip hop photography and his book Born in the Bronx: A Visual Record of the Early Days of Hip Hop.

But before you call me a sellout consider that I've already covered the book as well as a related exhibit.

Nevertheless, disclosures were in order.

On a related note, SiTV has an article on Chingo Bling, the "one man-marketing show".

July 08, 2007

SOHH.com's 2006 Sales Over $1.5 Million?

From an article at Entrepreneur.com, In the Groove:
Now SOHH.com is a vibrant urban media company boasting 2006 sales of more than $1.5 million.

That may actually refer to SOHH's parent company, 4Control Media, but it seems to be focused on SOHH.com.

Unfortunately for big media, those numbers are peanuts compared to what a major glossy mag does.  Even if a strong offline media brand does well online, serious revenue shrinkage appears most likely.  In fact, one might easily compare the current situation of major labels and major music magazines as they transition from bulky slow-moving operations to much leaner ones.

Most unfortunate, that means employees at such operations face more on-the-job pressure, including squeezing in blogging between one's current duties, as well as further layoffs.

Related ProHipHop Coverage:
Compete: AllHipHop vs SOHH vs XXL, Jay Smooth vs Eskay vs Bol

June 07, 2007

World Cypher: Hip Hop News Adds Newsfeed & Newsletter

I've been using World Cypher quite a bit for tracking hip hop news and I'm really happy with it.  Though I'm finding the website the best place for me to keep up with things, I wanted to offer other formats, so now you can get a Feedburner newsfeed or subscribe to the email newsletter with a new Twitter option!

I just got my first newsletter yesterday and it had 50 items, the maximum that the feed produces.  There may be some overlap but get set for a daily newsletter with a lot of items.

At this point the feed is mixing 47 individual sources, mostly hip hop blogs, and an Icerocket news search for "hip hop" that produces numerous daily items from hip hop sites and news sites, in particular, newspaper websites.  I'll be adding more as I run into great sources.

April 19, 2007

Johnny C. Taylor, Jr. New CEO of IAC's Far Distant Black Portal/Network

IAC announced their plans for an "online destination for the Black community".  The site is "yet-to-be-named" and will not launch till January 2008!

That sounds so far away and like way too early a warning for the competition.  I don't want to automatically say that such seemingly slow movement is characteristic of the inflexibility of large corporations but it sure looks that way. 

However, on the black executive tip, congratulations are in order for newly appointed CEO Johnny C. Taylor, Jr..

Related ProHipHop Coverage:
RushmoreDrive: A Success Prior to CEO Johhny Taylor's
Steve Harvey Appearance?

RushmoreDrive Launches: Search, News & Jobs Portal for Black Community

March 28, 2007

AllHipHop's Greg Watkins & Chuck Creekmur at Fast Company

John Pasmore talks to AllHipHop founders Greg Watkins and Chuck Creekmur including these thoughts on their future:

CHUCK: We definitely are developing several brand extensions. There are a number of opportunities ahead of us and we'd prefer not to talk too much about them until things firm up a bit...As we have advertised, expect a dramatic change to the site in the near future. We've maintained the same look and feel for a few years now and we're ready to move on. What's interesting is our traffic has grown to the point where we're almost apprehensive about changing it. But, it's going to happen.

Via Miraflor who also has a few things to say about AHH's current homepage advertising experiment.

March 20, 2007

Can Indie Web Media Survive the Coming Deluge?

It's crazy how quickly and easily indie web media space can be threatened, as the new royalty rates for online music radio are currently reminding us.  That's a bad situation but I've been thinking less about what can be taken away and more about what can be ruined by a flood of mass media.

I've mentioned my concerns about people like Mark Cuban proposing that mass media content producers flood YouTube with bogus product.  Yet those possibilities seem less threatening than the coming flood of legitimate products from major content producers.

For example, Universal Music Group now has over 500 videos on their YouTube channel, a combination of recent releases and older tracks.  I had previously subscribed to their channel when it was low volume but when they suddenly dumped hundreds of videos into the mix, obliterating the presence of all my other subscriptions, I cancelled UMG's.

Though I did initially post a bunch of their videos on VidRap, I stopped once I realized that they were intentionally posting low quality videos and that I was also flooding my own site.  So that form of media dominance was fairly easy to control on my end and doesn't represent true competition with indie media.

But MTV's plan to "build thousands of websites worldwide" should be cause for some concern among independents:
The network, which already has 150 websites in 162 countries, plans to build literally thousands more, hoping to draw viewers by letting them watch, contribute and even re-edit its television shows...It aims to build websites related to every personality and aspect of its shows, hoping to catch viewers wherever they happen to be on the Internet and on mobile phones...It has created three virtual worlds —Laguna Beach for teenagers, Nicktropolis for children and Virtual Hills for young adults — and says more websites can help it go deeper to promote individual shows and personalities.

And that's exactly the right move for MTV, away from the portal and towards a distributed presence with ever proliferating points of access.  Very smart and very threatening for indies who have not powerfully established themselves in a clear niche with a strongly distributed presence across the web.

March 13, 2007

Hip Hop 2.0: New ProHipHop Category, Vocab Collab

A while back I had a Web 2.0 category at ProHipHop but I figured the trendy terminology would fade and other terms would arise.  Well, Web 2.0 has entered the language, spawning all sorts of variations ending in 2.0, and in order to not be left behind, ProHipHop now has a Hip Hop 2.0 category where Web 2.0 news, especially related to hip hop, will be found.  I'll be going back and adding relevant earlier posts to the cat in the near future.

I was sharing this fascinating tale with Ben Longoria of Vocab Collab via email and that's when I finally broke down and accepted the inevitability of Hip Hop 2.0 as a ProHipHop category.  I know we have too many but there you have it!

Vocab Collab describes itself as:
a user-generated, searchable, online rhyme repository and rhyme publishing platform. Publish your rhymes, and search for what other writers have published that rhyme with your lyrics.

More from Ben aka enefekt:
The desktop authoring tool is called "Phloneme" and it lets you tag and mark-up rhymes, then publish your content to Vocab Collab with a Creative Commons license. It also lets you search for rhymes from Vocab Collab.

The rhymes get published in a microformat that I created. The idea is that these could end up being used in RSS remixes or mash-ups.

The site's very much in the early phase but you'll get the idea.

October 20, 2006

It's Unanimous: MTV.com's Redesign Really Bites

I was trying to check out MTV News online last night when I discovered what I consider an incredibly bad redesign of MTV.com.  It's about maximizing ad space at the expense of the user and the whole thing performs poorly.  I expect to be visiting the site less frequently now.

However, I don't always get what the cool kids are up to so I thought I was overreacting until I disccovered that the brain trust at the hiphop-ads discussion group unanimously think it sucks.

October 18, 2006

Hip Hop Weekly: No Show Or Snakes On A Plane?

So Hip Hop Weekly's the big joke with multiple punchlines until it drops and then an eerie silence pervades?

Has anyone actually checked out a physical copy of Hip Hop Weekly?

I'm assuming it's out there and the reality is that a lot of folks don't really care about the product itself, just the enjoyable build-up.

Somebody clue me in since I obviously don't know what's up.

By the way, here's the latest over at the hiphopweekly.com site which has yet to change hands:
10/17/2006 Update:  Their will be a slight delay in the announcement planned for today. However, due to various events, we have decided to hold out on any announcements. Please feel free to check back later for further details.

"Various events" sounds like a good phrase to cover the rich variety of outcomes that could occur when doing business with Dave Mays and Benzino.

Update:
Looks like Hip Hop Weekly ditched hiphopweekly.com for the far less viable hip-hopweekly.com, assuming we're not still in parody territory, I honestly can't tell.

But, taking this at face value, if I owned hiphopweekly.com, I would immediately put some high dollar intrusive advertising all over it plus some links to whatever seems appropriate because hiphopweekly.com will be the default in people's minds if the publication goes anywhere and folks try just typing in the obvious domain.  I would also leave the heading Hip Hop Weekly to take advantage of current search engine equity for the domain.

I think that would be a fitting opportunistic move given what I'm guessing are the circumstances.  But I'm just guessing.

Hey, would this qualify as one of those "various events"?

Special thanks to Eskay for the tip on hip-hopweekly.com's existence.

By the way, seriously, I've got weeklyhiphop.com registered.  You can get it directly from me now and avoid the upcoming inflation of value during ProHipHop's Hip Hop Domain Auction, or you can wait and keep wishing you were a media mogul like me [lol].

Hit me up: clyde(at)prohiphop(dot)com

October 02, 2006

Babygrande's Chuck Wilson To Launch CrackSpace

Though they haven't officially launched yet, CrackSpace aka Hip Hop Crack, is ready for a look.  Created by Chuck Wilson of Babygrande Records, the site has a full array of offerings including news briefs from Henry Adaso of The Rap Up and a MySpace style CrackSpace Community.

August 09, 2006

Verizon Broadband Beatbox Mixer

I finally checked out the Verizon Beatbox Mixer site promoting Verizon Broadband and dug the graphics but watching some of the mixes got a bit weird.  I think the vocalists are well chosen but they start to look like they do literally need to spit after a while.

Developed by R/GA.

Reminded by Adverblog.

August 03, 2006

Never Sleep: Hip Hop News & Videos

Though I was initially thrown by the Festering Ass connection, it looks like Never Sleep is doing a nice job of rounding up hip hop news stories from top sources (like ProHipHop and Hip Hop Press, of course) along with regular video drops.

Good looking out!

August 01, 2006

Site Analysis: State of Minds Asks "What is Hip-Hop?"

hip hop and the record industry image

Though the question "What is Hip-Hop?" sparks all kinds of debate, a new website called State of Minds is using it as the initial call to bring people together to participate in what the About page describes as a "Hip-Hop community driven social content website".

To be honest, when I first heard that Leo Libiran was trying to start a hip hop related social networking site, I had a dubious response because I simply imagined a MySpace clone focused on hip hop.  So I was happily surprised to find that his first public effort, created with Mike Hafalia and Jayvo Basilio, is both unique and interesting.

As you'll see, the site currently focuses on postcards created in response to the question "What is Hip-Hop?" that can either literally be snail mail postcards or .jpg images that are entirely digital.  The responses are interesting because they don't all literally address the question but they all do address various meaningful aspects of hip hop.

Though my own tendency in a new project is to maintain fairly tight boundaries and loosen them later, I'm happy to see that State of Minds is taking a more open approach to responses, since a site relying on community created content should ultimately draw much of its direction from the community it facilitates.

hip hop and the police image

My concern is that people initially visiting State of Minds will be thrown by the use of the term postcards, especially since, in a media saturated environment, even fairly simple ideas can be quickly misread and dismissed.  On the positive side, that might weed out some of the silliness one encounters in many rap related discussion boards and comment areas.

For me, such concerns raise marketing issues related to reaching receptive sectors of the larger hip hop community via online media.

Many hip hop sites are working within fairly restricted boundaries and aren't going to boost a site they view as competition, though the uniqueness of the site might get past such barriers leading to some kind of coverage and there are many sites concerned with defining hip hop, whether or not they forefront the question.

Hip hop bloggers seem likely to be receptive to such a project, especially since bloggers continue to come up with all sorts of interesting approaches despite working with fairly similar content management systems.  But many hip hop bloggers tend to be closer to the cutting edge of tech and design and may be too quick to dismiss a project that offers a snail mail option.  On the other hand, hip hop bloggers are a diverse group and some might really dig State of Minds.

While reaching out to folks in the Mail Art scene seems like an obvious move, that might actually divert the project from a core hip hop audience to an audience that is not inherently sympathetic to the variety of subcultures that have emerged as hip hop has grown.

Perhaps reaching out to graf writers and street artists, like the folks at the Wooster Collective might be a way to go, since these folks often create a lot of online art as well.

And, certainly, politically minded sites like Davey D's and purist oriented projects like the Temple of Hip Hop should be considered possible allies since they are quite interested in finding meaningful definitions and understandings of hip hop culture.

If you've got thoughts about how State of Minds might successfully spread the word, from which communities to target to whatever strikes your fancy, please feel free to add them in the comments.  If you write about the site on your blog or website, please also post the url in the comments whether or not you address marketing issues.

Disclaimer and Related Notes:
I consider Leo Libiran a friend and possible future business associate but have had no contact or association with Mike Hafalia and Jayvo Basilio.  However, I'm trying to give such folks the same treatment I'd give anyone else so I decided that, rather than simply boosting the site, I'd give an honest appraisal related to my initial marketing concerns.

That doesn't mean that every time I point folks to a new resource, that I'll be critiquing that resource, but it does mean that when I dig in, I'll be a bit more even handed than I have been at times in the past.

Images used by permission of State of Minds.

May 18, 2006

Sprite/MSN Exposure Launches To Reach Hip Young'uns

Sprite and MSN have linked up to create Exposure with the help of various marketing entities.  Actually the header bar says "Sprite Exposure" and the page says "msn exposure", whatever.

Here's how AdRants describes it:
It's a site the agency created to highlight work from three different groups of kids: graf artists, a basketball team and a band. Each person is making a video (or it's being made for them) about who they are, what they do, what they stand for, how they think. The video are then edited and placed on the site. We're told new content will be added to the site over the next six weeks. It's sort of a cross between reality TV, documentary-style video and a blog of sorts. Each person has an MSN Spaces blog as well.

AdRants also describes it as "an interesting way to draw people into MSN Spaces".

I guess this is one of those Web 2.0, build the community, catch their interest, start a dialogue, involve your viewers in order to build a brand and/or sell some stuff campaigns.

Though it comes across as one of those let's pretend we're presenting user generated content but edit and tweak it so it looks professional approaches, one of the graffiti artists states in his intro video that it was out of their hands and he's not used to that (I think he meant the site but he might have meant the art show they were discussing).  So it sounds like they may be covering all the bases on this one.

It will be interesting to see how it works out since the site seems to bring a lot of savvy marketing knowledge to the increasingly difficult task of reaching young folks.

I'll check back because the site says they'll be adding "Urban Artists", you know, young city slickers of color, i.e. "B Ballers" and "Musicians".

May 07, 2006

Jonathon Alexander on Tap It FAME

A while back I noticed what I thought was a discrepancy between Tap It FAME's claims of expected growth and the actual number of users on the site. Tap It FAME is a new showcase for artists, divided into musicians, entertainers, models and visual artists, though musicians seem to be the primary focus to date, with various options for placing one's work on line including digital music sales.

When I checked out the site about 3 weeks ago, there were less than a hundred participants, yet in Black Enterprise CEO Jonathon Alexander was claiming to be "on target to list 30,000 artists in his database by mid-2006."  I recently spoke with Alexander about this issue and about the development of the site.

Alexander pointed out that the site was still in beta (at that point) and that they were seeing a lot of interest from musicians who would be signing up in an upcoming stage of development. One of the ways they have been reaching out to musicians is through participation in panels and appearances at such gatherings as the Winter Music Conference and SXSW.

Tap It FAME also has a weekly radio show to give artists further exposure while spreading the word. Based on interest shown by artists to such outreach and his belief in Tap It FAME's services, Alexander feels confident about their projections.

Part of this confidence comes from Alexander's assertion that Tap It FAME has a more solid technical base than similar services and that the ease of use for purchasers would be exceptional. Once these systems have been fully tested the site will be opened to the general public.

Though I can't really evaluate the tech angle, I'll have to say that Jonathon Alexander and co. seem tuned in to artists' needs and sensitive to such issues as regional diversity and helping ensure that models aren't exploited. All in all I enjoyed our chat and look forward to seeing how artists respond to Tap It FAME's services.

March 13, 2006

Timberland & Eminem Sites Win at SXSW

The SXSW Music Festival and SXSW Interactive are two of the cooler things about Austin though, when I lived there, I just went to see acts in the Music part.  At this phase of ProHipHop's development I'd be more likely to want to check out SXSW Interactive due to future possibilities as well as personal interests.

SXSW Interactive has announced the 9th Annual Web Award Winners and they include a couple of hip hop related sites.  OMG, Eminem.com won in two categories!!!

Business: For-Profit
Sites devoted to the promotional needs, functions and services of for-profit businesses.
Timberland: Build Your Own Boot

Music
Sites related to musicians, bands, and the music industry, as well online radio and other destinations that offer streaming audio content.
Eminem.com

People's Choice
The online public's favorite finalist.
Eminem.com

Official website: SXSW 2006

Found via Blog Network Watch.

March 07, 2006

Congratulations to Brightman & Chan on XXL Launch!

I should have known that putting out a probe based on speculation regarding the possible delay of XXL's website launch was a weak maneuver.  Why?  Because they're owned by Harris Publications!  It should have been obvious, if I looked at Harris websites, that they'd put Jason Brightman and Kathy Chan on the job and get a clean, usable product.

Although many magazines have faltered going online, you can't go wrong with proven content management systems and lots of functioning web examples on which to draw.  Now, if they leverage their magazine content (they're off to a good start with that) and build community (even the community of hate on which so many discussion boards are based), they could do ok.

And, even if various Harris Publications employees that run things at XXL continue to behave in a perfectly horrid manner, I will certainly acknowledge their success.  But, for now, let me simply congratulate Jason Brightman and Kathy Chan on a job well done!

Official site: XXL

Update:
I should actually congratulate everyone on a successful launch and a good looking site.  To the XXL crew, best of luck with your endeavors on the web!

Related ProHipHop Coverage:
Clearing Up Nondisclosure Issue With XXL's Bloggers
Early Look at XXL Online Columnists/Bloggers
Jimi Smacks Elliot, Does XXL Know What It's Doing?
XXL's Big Web Plans from Deputy Editor Vanessa Satten

March 01, 2006

Jimi Smacks Elliott, Does XXL Know What It's Doing?

It's entertaining to watch smack-talkers smack talkers, if you know what I mean.  At the blogging level, XXL's Elliott Wilson has destroyed whatever credibility he had the chance to develop.  And I agree with a lot of Jimi Izrael's statements on the matter.  [Update: I should clarify that I agree that Wilson should deal with bloggers honestly rather than trying to use us for a cheap early boost for his website plans.  As should be obvious, Jimi's more personal observations are Jimi's own.]

In any case, I'm finding that not only do a lot of writers in the print game not want to attack anybody that might pay them but some of what's happening is that Elliot's part of an old boy network within hip hop writing that also strongly affected the early phases of hip hop blogging.  When he, or certain other writers act out, folks that knew them from back in the day just kind of chuckle and go along.  But, you know what?  That happens everywhere.

We're going into a phase where hip hop magazines will be reaching out more and more to build their web presence and establish ties with bloggers and other hip hop sites.  The smart ones will either copromote as peers or buy ads straight up.  The dumb ones will piss on the field before joining the game and set themselves up for surprise hits.

Of course, one question is whether or not XXL even knows what they're doing.  In the XXL email I reprinted they mention that the new online editor is Brendan Frederick.  I know very little about him but, from the bits and pieces I've gathered, my understanding is that he's more from a writing/editing background than a tech background.  Brendan, please correct me if I'm wrong, but did you get the job cause you talked tech or talked journo?

I just have this feeling that, instead of bringing on people who know what's up online, Elliot's bought into the nonsense that content management system providers put out and has underestimated the difficulties ahead.  Or he handed it off to one of his underlings that made the same mistake and then enthusiastically pitched it to Mr. Wilson.

Based on the email mentioned above, the new site should be launching next week.  Like Vanessa said, this should be fun.  Especially if it doesn't launch till April or May.

Related ProHipHop Coverage:
Clearing Up Nondisclosure Issue With XXL's Bloggers
Early Look at XXL Online Columnists/Bloggers
Congratulations to Brightman & Chan on XXL Launch!
XXL's Big Web Plans from Deputy Editor Vanessa Satten

February 21, 2006

XXL's Big Web Plans from Deputy Editor Vanessa Satten

I was forwarded an email about XXL's upcoming web relaunch and I'm still not clear who exactly the original mailing was going to but, once I received it, I wrote the sender, XXL Deputy Editor Vanessa Satten, asking to be put on the list for future mailings about their activities.

Well, though it starts off "Hey industry", apparently that doesn't include me because she responded:
"That's not the purpose of that email and I can't help u with that."

Actually, if you read the mail it's probably being sent to record companies and the like so this should be useful for you smaller fry that they didn't contact.

In any case, Vanessa's reply seemed a bit terse and unfriendly, even for someone writing on a Blackberry, so I sent back what I intended as a joking reponse that I would take that as a no comment.  To that she replied:
"Take it as u want."

Well, I had to take a walk after that so that I wouldn't post her blackberry address online and use excessive profanity in relating this tale (cause I'm a very sensitive man).  But I'll certainly save it for use at a later date!

I'll also come back to XXL's troubled relationship with bloggers that they don't control and people who don't suck Elliot's d*ck at another time and just give you the text of the message.  Please give me your thoughts in the comments regarding XXL's big plans.


>>> Vanessa Satten < vanessa@harris-pub.com> 2/17/2006 5:16 PM >>>
Hey industry - So XXL has some breaking news. In the next two weeks we will
be lauching the new XXL Magazine website - xxlmag.com. We will have all
original content and will be documenting the daily movements of hip-hop with
the quality and professionalism you expect from XXL. We are going to give
all those other rap sites a run for their money.

The new XXL website will include:
*Up to the minute breaking news
*Original features/Q&As/reviews and content
*Personality based blogs
*Exclusive streaming audio and visuals
*Message boards

We have hired a new Senior Editor, Online - Brendan Frederick - to run our
Internet show. He can be reached at 212.462.9626 or brendan@harris-pub.com -
please start bombarding him with emails and info about your artists for our
daily site. You will also be hearing from Brendan, myself and some of our
writers regarding different interviews for the site that we are interested
in doing. Please hit XXL up if there is any breaking news with your artists
we could cover.

This should be fun guys. We know XXL can kill it on the Net like we do in
print. Please contact me for any questions or concerns and anything in
general.

Hope all is well with everyone!

Vanessa
Deputy Editor
XXL
212.462.9630

And I hope all is well with you, Nessa!

Related ProHipHop Coverage:
Clearing Up Nondisclosure Issue With XXL's Bloggers
Early Look at XXL Online Columnists/Bloggers
Congratulations to Brightman & Chan on XXL Launch!
Jimi Smacks Elliot, Does XXL Know What It's Doing?

January 10, 2006

House of Blues Presents New Artists

House of Blues announced an incubator program for new artists with an associated website called Ones to Watch:
"Ones To Watch" will expose music fans to new sounds and the personalities behind them with an online micro-site . . . loaded with artist bios, photos, website links and FREE downloads from each one of the featured artists.

The ongoing program will highlight five artists at a time, artists who have produced their own records, artists who are selling records from the trunks of their cars, artists who are not signed to major labels, artists who are driven by their love of music and who are making daily sacrifices to enable the creative process will be featured prominently.

The hip hop group The Procussions are part of the first batch of artists featured at  Ones to Watch.

July 15, 2005

Thievery at AllHipHop.com?

Writer Cherryl Aldave feels that material she submitted to AllHipHop.com was taken and used by another author without attribution.  Here's the piece to which she refers containing a quote she recorded during a phone conversation with incarcerated author of Dutch Kwame Teague.

Normally I might not post such a claim at this stage but my dealings with Cherryl have been quite positive and I think she does a lot of meaningful work that doesn't seem to be compensated, in addition to whatever paying gigs she gets.  I also think the issue of plagiarism is pretty bad on hip hop websites and I'm doing what I can to help make thieves lean back.  I'll post more when I have it.

Update: I'm happy to report that AllHipHop.com has corrected the situation and posted Cherryl's article with her byline.  Since they don't have a statement, I can't address their version of things.  But perhaps it helped that Hashim Warren also posted on the topic.  Bloggers working together are a powerful force!

March 02, 2005

Hacking Excitement Continues at The Game's Forum

After my earlier post on The Game's official website forum getting hacked, somebody got busy while I was taking a nap.  I'm not going to be recording a blow-by-blow of this ongoing event but, basically, it looks like MarsAttacks has control at the moment using what is described as a recently revealed php hack.

I'm a little unsure of what's up with all this because it's looking more to me like an online party for bragging rights that, in various ways, makes fun of everybody involved while capitalizing on a security flaw that's either new or just unsecured due to negligence.  In any case, MA has new pictures up, an option to post comments and additional comments that might have been received in the mail.

This is quite a while for something like this to be up on a corporate website.  At a certain point, it would have to be considered a hoax if not taken down, unless this section of the website just goes unmonitored on a regular basis.  Of course, with all the madness happening at the moment, it could be one of those right time, right place moments for MarsAttacks.  I'll guess we'll know soon enough but this should be a reminder that a business can be easily embarassed if it's online presence is not monitored and security is not maintained, whether or not the particular business in question is actually being attacked.

Update: While I was writing this, the forum appears to have been retrieved by a webmaster who's probably not having a very good day.  The changes I described above are still available at pen15h34d.com and, no, I didn't take any screenshots so don't even ask if that goes down as well.